My Foolish Heart Ralph Towner

• 1 Pilgrim 04:31
• 2 I'll Sing to You 04:32
• 3 Saunter 05:01
• 4 My Foolish Heart 03:51
• 5 Dolomiti Dance 04:24
• 6 Clarion Call 04:40
• 7 Two Poets 02:04
• 8 Shard 00:54
• 9 Ubi Sunt 01:20
• 10 Biding Time 01:29
• 11 Blue as in Bley 03:53
• 12 Rewind 03:43
• Total Runtime 40:22

Info for My Foolish Heart

My Foolish Heart is the latest solo album by master guitarist Ralph Towner, recorded at Lugano’s Auditorio Stelio Molo RSI in February 2016, and produced by Manfred Eicher. Solo music is an important thread through Towner’s rich discography. Diary was the title he gave to his first ECM solo album back in 1973 and each of his solo albums since then – the list includes Solo Concert, Ana, Anthem, and Time Line - has had a special autobiographical, diary-like character. The solo music is where one can see most clearly the inspirational strands informing Towner’s music. He alludes to this in the performer’s note introducing the new album, his first solo disc in a decade: “‘My Foolish Heart’, the title song of this album had an immeasurable impact on my musical life, as it did with many of my colleagues in the world of jazz and improvisation.

The seminal version, played by Bill Evans, Scott LaFaro and Paul Motian set me on a course to try to attain the magic of this trio in my own attempts to play the piano, and later, on the classical guitar which became my principal instrument. I needed to know how it felt to inhabit such a reverent musical space. So, many years later, I’ve decided to pay a visit to this song and include it among a variety of my own pieces. I hope I’ve continued to use the inspiration I gained from that first encounter in all the music I play.”

The challenge, as Towner once spelled it out “was to develop the idea of embracing the interaction of a small group on the guitar itself.” Three lines of influence converged in his work: Evans’s conception of jazz, Brazilian music – a major inspiration for Towner in the 1960s - and classical guitar. “Over the years I kept on adapting each of these in my own way. I abstracted them and modified them until the sources were no longer recognisable, and I’d arrived almost without noticing it in an idiom of my own.” The Towner idiom was further extended with the 12-string guitar, on which experiments with different tunings led to evocative sonorities and atmospheres. On the new album, the 12-string is the vehicle for the mysterious “Clarion Call”, as well as the hovering miniature “Biding Time”.

Amongst other striking pieces, “Blue as in Bley”, is a soulful tribute to Paul Bley, who had died a month before the session. Whether on classical guitar or 12-string guitar, Towner’s touch is immediately identifiable. As fellow guitarist Scott Nygaard has noted, “No one else plays guitar like Ralph Towner, And while his compositions often sound ‘classical’ (combining a fondness for Baroque voice leading, Stravinskian harmonies, and odd time signatures with his own strong sense of melody) that’s primarily because each piece grows organically and gracefully from an initial idea.” Towner’s feeling for form has been a consistent strength, as two older compositions - “Shard” and “Rewind”, both from the early repertoire of Oregon – confirm here.

A key ECM recording artist for 44 years, Ralph Towner was born into a musical family in Washington in 1940. He began playing piano at age 5, followed by trumpet two years later. He launched his jazz career as a Bill Evans-inspired pianist, then travelled to Vienna to study classical guitar with Karl Scheit, the renowned Austrian guitarist, lutenist and teacher. In New York City in the late 1960s, he freelanced on both piano and guitar, before co-founding the band Oregon in 1970, with Collin Walcott, Glenn Moore and Paul McCandless – all of whom would appear on his ECM debut, Trios/Solos, in 1972. Towner’s recordings for ECM have included solo albums, duo projects (with John Abercrombie, Gary Peacock, Gary Burton and Paolo Fresu), bands under his direction (including Solstice with Jan Garbarek, Eberhard Weber, Jon Christensen) and discs with Oregon. Towner has also contributed to outstanding albums by Keith Jarrett (In The Light), Jan Garbarek (Dis), Kenny Wheeler(Deer Wan) and Egberto Gismonti (Sol do Meio Dia).

In the last few years activities have included many concerts with Sardinian trumpeter Paolo Fresu, their album Chiaroscuro garnering much positive press along the way (“Lushly resonant guitar and stately trumpet, a masterful match of color and texture” – The Village Voice). Another important association is with the guitar trio with Austria’s Wolfgang Muthspiel and Kazakhstan-born Australian player Slava Grigoryan. “Three guitarists from three different continents with three very different disciplines unite for this breathtakingly beautiful trio outing,” wrote Down Beat of the album Travel Guide.

Ralph Towner, guitar

Ralph Towner
Musical innovation is no easy feat. It not only requires an innate talent, but also a devotion to the art that is not blinded by the commercial glare of the popular culture. Ralph Towner is such an innovator on the modern musical landscape, his ideas ever fresh, though they span a career of more than forty years.

Best known as the lead composer, guitarist, and keyboardist for the acoustic jazz ensemble "Oregon", Towner has also had a rich and varied solo career that has seen fruitful and memorable musical collaboration with such great modern musicians as Gary Burton, John Abercrombie, Egberto Gismonti, Larry Coryell, Keith Jarrett, Jan Garbarek, and Gary Peacock.

Towner was born in Chehalis, Washington on March 1st, 1940 into a musical family, his mother a piano teacher and his father a trumpet player. Towner and his siblings were raised in a nurturing and empowering environment that encouraged free musical experimentation and expression. In 1958, Towner enrolled in the University of Oregon as an art major, later changing his major to composition. He soon thereafter met bassist Glen Moore who would become a lifelong musical partner in the band Oregon.

It was about this time that Towner discovered the early LPs of Bill Evans, whom Towner emulated and whose influence he began to incorporate into his own piano style and composition. It was not much longer until Towner also bought a classical guitar on a lark and became entranced enough with the instrument that the early 1960s saw him heading to Vienna to study classical guitar with Karl Scheit. In 1968 Towner moved to New York City and immersed himself in the New York jazz scene, eventually landing a position with the Paul Winter Consort where the friendships and musical partnering with Glen Moore, Paul McCandless, and Collin Walcott were forged, a musical chemistry which was destined to alchemize into the band Oregon. Paul Winter also bestowed Towner with his first 12-string guitar. Towner has since coaxed the 12-string into imbuing his work with such a characteristic uniqueness that most jazz fans, given the two keywords "12-string" and "jazz" would immediately blurt the name Ralph Towner.

Towner's working relationship with producer Manfred Eicher of ECM Records began in 1972 and would provide a forum for his growth as a leader and collaborator with other jazz giants, all while concomitantly breaking open musical frontiers with Oregon throughout the intervening years. ECM's roster of low-volume acts was decidedly contrary to the amplified popular zeitgeist of the era, and provided Towner an opportunity to connect and create with some of the more iconoclastic and innovative artists of the musical culture in the 1970s. Towner's ECM years also saw his most minimalist, yet most bold, endeavor. "Solo Concert", released in 1980 on ECM, was conceptually elemental, a solo live guitar recital. Yet, no one to date had ever synthesized classical contrapuntal composition with improvisational and oddly-metered jazz like this before, especially in such a risky arena as a live performance. Such solo work would later become Towner's signature on recordings such as "Ana" and "Anthem", or augmented only by Gary Peacock's bass on "Oracle" and "A Closer View".

Like any true artist, however, experimentation with technology was simultaneously and paradoxically leading Towner away from this bare-bones approach to composition and performance in 1983 when he began to incorporate the Prophet 5 keyboard synthesizer into his compositions, both with Oregon and his ECM recordings. The Prophet 5 afforded an entirely new dimension to his writing, as well as to the brazen and quirky character of the "free-form" improvisatory pieces for which Oregon had become infamous.

Just as Towner's solo career has seen evolution, his partnership with Oregon would likewise undergo transformations as one might anticipate that any enduring relationship might do. Sadly, in 1984, percussionist Collin Walcott and manager Jo Härting were killed in Germany in a collision involving Oregon's tour bus. Towner and McCandless escaped serious injury in the back of the vehicle. The emotional scars would however be deep, and it at first seemed doubtful that Walcott's critical contribution to Oregon's musical tapestry, lost so tragically, could ever be resurrected by any replacement. Time would luckily find that the intent of Oregon's musical message was vehement enough to again find spontaneous expression after grief. Two subsequent world-class percussionists of a like mind, and gifted with rhythmic virtuosity, Trilok Gurtu in 1992 and Mark Walker in 1997, would share in and expand on Oregon's vision. That vision would explode in an epic way in 2000 upon release of "Oregon in Moscow", an orchestral double-CD recorded with the Tchaikovsky Symphony Orchestra, earning the ensemble four Grammy nominations.

Towner's creativity and virtuosity into the new millennium retain all the vitality of his younger years, even now into his 70s. Always in service to the music, he continues to have a knack for fostering new musical relationships with those who share a mission to synergize art into a sum greater than its parts, recently and most notably with Austrian guitarist Wolfgang Muthspiel and Australian guitarist Slava Grigoryan, a trio colloquially known as "MGT." Likewise, his later jazz duos with Italian trumpeter Paolo Fresu and Argentine clarinetist Javier Girotto have reaffirmed his unique niche in the international world of improvisational jazz. Ralph Towner has come full circle with the 2017 release of "My Foolish Heart," his 26th recording for ECM records, and an homage to the jazz pianist who inspired Towner on his original quest for compositional innovation, Bill Evans.

Booklet for My Foolish Heart