Broadway Blues Ballads (Remastered) Nina Simone

• 1 Don't Let Me Be Misunderstood 02:45
• 2 Night Song 03:05
• 3 The Laziest Gal In Town 02:19
• 4 Something Wonderful 02:43
• 5 Don't Take All Night 02:51
• 6 Nobody 04:18
• 7 I Am Blessed 02:57
• 8 Of This I'm Sure 02:35
• 9 See-Line Woman 02:37
• 10 Our Love (Will See Us Through) 02:59
• 11 How Can I? 02:03
• 12 The Last Rose Of Summer 03:07
• 13 A Monster 02:44
• Total Runtime 37:03

Info zu Broadway Blues Ballads (Remastered)

Nina Simone recorded „Broadway Blues Ballads“ for the Philips label in 1964 as an attempt to broaden her appeal to a more mainstream audience. This release is notable for introducing two now-classic Nina Simone tracks, 'Don't Let Me Be Misunderstood' with its under-the-surface civil rights connotations, and 'See-Line Woman,' an ironic song about a high class prostitute, featuring Simone's own African-style percussive arrangement.

While nothing on the album really qualifies as blues, the album features such Broadway show tunes as Cole Porter's 'The Laziest Gal in Town,' and Rodgers and Hammerstein's 'Something Wonderful,' which loses all its cloying qualities in Simone's hands. The heavily-orchestrated arrangements, which are firmly rooted in the mid-'60s pop sound, are produced by Hal Mooney. Don't Let Me Be Misunderstood (soon to be a smash for the Animals) kicks off this 1964 Verve LP, followed by Nina's own versions of Something Wonderful, The Laziest Gal in Town, her classic See Line Woman, and more!

Nina Simone, vocals, piano
Rudy Stevenson, flute
Bobby Hamilton, drums
Lisle Atkinson, percussion
Horace Ott Orchestra
Hal Mooney Orchestra

Recorded in New York, in 1964

Digitally remastered

Nina Simone
Nina Simone (1933-2003) holds a unique place amongst the great jazz performers of all time. What sets her apart from other jazz masters is not only her captivating and sultry voice and skillful command of the piano, but her aptitude in almost every genre of music there is. She has taken soul, jazz, and pop to new levels, as well as proving herself in blues, gospel, Broadway, folk, classical, and opera. She also performed and recorded many of her own compositions.

Born Eunice Waymon in North Carolina, Simone grew up in a family with eight children. She started out as a classical pianist, but in 1954 the financial necessity of her family led her to take a job in an Atlantic City nightclub. After auditioning for the gig, the owner told her that she could have it, but only if she agreed to sing as well. Thus, Nina ("little one") Simone (French actress Simone Signoret), was born.

In the late 1950s, Simone began recording on a small label, Bethlehem Records. In 1959, she had a Top 20 hit. "I Loves You Porgy," a song from George Gershwin’s musical "Porgy and Bess." This was the only song that Simone recorded in her entire career that made the Top 40. Hits were not a big concern, however. Simone did just fine performing in nightclubs and making albums, most of them live recordings. She recorded nine albums in the early 1960s alone.

In the mid-‘60s, inspired by the Civil Rights Movement, Simone composed several songs, including "Old Jim Crow" and "Mississippi Goddam" which were issued on her first album with Philips (Nina Simone in Concert). "Mississippi Goddam" was written in response to the death of four black children in a church bombing, in 1963. It was her protest songs that best demonstrated Simone’s amazing ability to communicate, deeply and clearly, human emotion, especially those of Black people in the U.S.A. It was around this time that people began referring to Simone as the "High Priestess of Soul," after she put out an album of the same name. Along with her original songs, Simone chose some diverse covers. Songs like Weill–Brecht’s "Pirate Jenny," "I Put a Spell on You," and "See Line Woman," were among some of the others that Simone transformed into classics. Her experimentation with timing, her use of silence, her low and intense vocals, her impeccable piano playing capabilities, and her inimitable live act, turned every song she sang into a fresh and magnificent Nina Simone creation. In the late 60s and early 70s, Nina was recording for RCA. An original song, "Young, Gifted & Black" was considered somewhat of a Black national anthem of the time. This song, inspired by Lorraine Hansberry’s play of the same title, was has since been covered by Aretha Franklin and Donny Hathaway. During this brief period of time, Simone was remarkably prolific, releasing nine albums. Despite the quantity and quality of her product, Simone was not particularly well served by RCA.

Later in the decade, Simone’s personal life began to see some trouble. She divorced her husband and manager, Andy Stroud, and became disillusioned by the record industry when she found herself in financial trouble after all the effort she had put forth. Disgusted with show business, as well as with racism in the U.S.A., Simone moved to Barbados in 1974. In the years to come she lived in Liberia, Switzerland, Paris, the Netherlands, and the South of France. The frequency of her recordings slowed significantly after she left RCA, but in 1978, Simone released Baltimore, for the label CTI, which contained the definitive version of Judy Collins’s "My Father." Since then Simone has recorded several albums, most recently "A Single Woman," a studio album released in 1993. She has written her autobiography, I Put a Spell on You, received an Honorary Doctorate in Music and Humanities, and has continued to perform at festivals and events around the world.

Despite her self imposed exile and her obvious outspoken lack of appreciation for the recording industry, Nina Simone is a legend of incalculable magnitude. Still today she is able to arouse new and young listeners, as well as hold the attention of life-long devoted fans. Nina Simone has burned her soulful, musical wonders on the psyche of jazz lovers everywhere, and has inspired love and compassion in places seemingly bereft of such trying emotions. Rachel F. Newman (Source: Verve Music Group)

Dieses Album enthält kein Booklet