Greatest Hits Vol. 1 (Remastered) Marvin Gaye

Album info

Album-Release:
1964

HRA-Release:
26.03.2021

Label: UNI/MOTOWN

Genre: R&B

Subgenre: Soul

Artist: Marvin Gaye

Album including Album cover

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  • 1Can I Get A Witness (Stereo Version)02:46
  • 2You're A Wonderful One02:44
  • 3Stubborn Kind Of Fellow (Album Version / Stereo)02:44
  • 4I'm Crazy 'Bout My Baby02:39
  • 5Pride And Joy02:05
  • 6Hitch Hike (Album Version / Stereo)02:31
  • 7Mr. Sandman (Mono Single)02:34
  • 8Hello There Angel02:48
  • 9One Of These Days02:56
  • 10I'm Yours, You're Mine (Mono Single)01:56
  • 11Taking My Time (Mono Single)02:30
  • 12It Hurt Me Too03:00
  • Total Runtime31:13

Info for Greatest Hits Vol. 1 (Remastered)



Greatest Hits is a 1964 greatest hits album, the first for American R&B-soul singer Marvin Gaye.

Released during Gaye's first period of success, it was also his first charted album as a solo artist after making his album chart debut with the Mary Wells duet album, Together, the same year.

Three of the singles, "Sandman", "Can I Get a Witness" (also featuring that song's B-side, "I'm Crazy 'bout My Baby"), and "You're a Wonderful One", were non-album tracks that made it to release on this particular album.

Marvin Gaye

Digitally remastered


Marvin Gaye
Brilliant, enigmatic, and headstrong, Marvin Gaye was an innovator. In 2009, he would have been 70 years old, and it has been 25 years since his tragic death. But today Marvin remains as influential and exciting as ever: Rolling Stone recently named him one of the greatest singers of all time.

He was born Marvin Pentz Gay Jr. on April 2, 1939, in Washington, D.C., where he dreamed of singing before large crowds; he joined a co-founded a local doo-wop group, the Marquees, who were spotted by Harvey Fuqua, who made them his new Moonglows. Marvin arrived in Detroit on tour with the Moonglows and stayed, as did Harvey, and Marvin was signed to Motown just based on raw singing talent. He was also a songwriter, an OK drummer-and handsome as hell. He wanted to sing jazz, to croon Tin Pan Alley standards, but that didn’t pan out. Motown founder Berry Gordy encouraged Marvin to sing R&B, and once Gaye sang the soulful (and autobiographical) “Stubborn Kind Of Fellow” in 1962, stardom enveloped him. The incendiary “Hitch Hike,” “Pride And Joy,” and “Can I Get A Witness” sold like crazy in 1963, and Marvin oozed silky sexiness on the 1965 classics “How Sweet It Is (To Be Loved By You),” “I’ll Be Doggone” and “Ain’t That Peculiar.”

By 1968′s immortal “I Heard It Through The Grapevine,” and on a series of electrifying duets with Mary Wells, Kim Weston (“It Takes Two”), and his ultimate singing partner, the ravishing but ill-fated Tammi Terrell (“Ain’t No Mountain High Enough,” et al), Gaye was a commercial force. He soon became recognized as an artistic one as well.

At decade’s turn, Marvin seized full control of his output with the deeply personal, socially aware 1971 masterpiece What’s Going On, which produced three hit singles: the title track, “Inner City Blues (Make Me Wanna Holler)” and “Mercy Mercy Me (The Ecology).” He defied expectations again with “Trouble Man,” a 1972 hit single featured in his haunting, jazzy score of the movie of the same name. He zoomed to the top of the charts with his passionate Let’s Get It On, while delivering a pop confection in Diana and Marvin, his duet album with Motown’s queen, Diana Ross. I Want You, released in 1976, was another sensual masterwork, a meditation on obsessive love that was also No. 1. Marvin made his personal life public through his songs, and it was never more evident in 1978′s Here, My Dear, a sprawling double-album chronicling his divorce from Anna Gordy, Berry’s sister. Even his No. 1 dance classic from 1977, “Got To Give It Up,” a studio cut added to flesh out the double-LP Live At The London Palladium, was about the singer’s reluctance to get loose on the dance floor.

Marvin left Motown in 1981, with the politically tinged album In Our Lifetime. He fled to London, then Belgium, where he created for Columbia Records “Sexual Healing,” his first Grammy® winner. But another hit was not salvation from his demons. On April 1, 1984, one day before his 45th birthday, Marvin was shot to death by his father.

Marvin’s influence reaches across the generations. He was rightfully among only the second group of artists honored with induction into the Rock and Roll Hall of Fame, in 1987. More recently, Marvin was No. 6 on Rolling Stone’s list of the 100 Greatest Singers Of All Time. “Motown Week” on American Idol 2009 (Season 8) featured remaining contestants singing not one but two of Marvin’s songs. His records-and his ringtones and his DVDs-are still going gold.

This album contains no booklet.

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